Big Thief

Two Hands

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  • 久草薪时代3狼人干久草2018新久草新新免费观看捐赠新衣被村干部烧毁事件续 官方:辞退村副主任

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      說起來可笑,一個鎮守白登山如此重要關隘的主將居然沒有一個可以直達天听的通暢渠道。   “大鬼巫說如果用我至親的血來澆灌,我的身體會變得更好!”久草薪时代3   大鬼巫端起一碗血,加入了骨粉之後就來到了單于的身邊,將滿滿一碗血傾倒在單于的頭顱上,粘稠的血立刻將單于的腦袋染成了紅色。狼人干久草2018新   “你沒有過問過?”   雲瑯上了城頭,覺得有些暈眩,不論誰只要一低頭就看見數不清的腦袋,都會有些暈眩的。久草新新免费观看   彭春剛剛走,曹襄就迫不及待的問道。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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