Big Thief

Two Hands

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  • 大香蕉伊人在现线国语大香蕉伊人在现现免费9大香蕉伊人有美团点评涨逾1%再破顶 获工银国际首予持有评级

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      終場哨聲結束,劉莽將球往天空一扔。   要是自己有這種個人能力,還怕拿不到最佳新秀和最佳第六人?大香蕉伊人在现线国语   蹭過來的小腦袋笑嘻嘻的,黎舟照著他腦門屈指彈了一下。大香蕉伊人在现现免费9   這也是將來的卡特球迷最扼腕的地方!一個球星對勝利的渴望和自己巔峰期居然不在同一時期!   NBA球員,走到哪都得給小費,這是歐美國家的運動員的習慣,劉莽表示這個習慣是相當封建迷信的!大香蕉伊人有   第十是凱爾特人的新秀喬?約翰遜,就上了一場拿到了10分。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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