Big Thief

Two Hands

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  • 大香蕉伊人在线6免费男朋友的大香蕉大香蕉伊在线6八月集中整顿违规收费 快递末端收费乱象当休矣

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      老嫗是一個聰明人,她並沒有向其余的婦人宣布雲瑯的話,準備一個人出去平息事情。 大香蕉伊人在线6免费   曹襄見甦稚從馬車里拖出一副用銅絲連接在一起的骸骨,要放在他身上比劃,連忙躲在雲瑯的背後道︰“還是你來,我信不過她。”男朋友的大香蕉   雲瑯今天很給郭解面子,郭解也充分的利用了這個面子,帶著十余個膀大腰圓的羌人來參加篝火晚會。   甦稚回屋取來一種香香的藥膏涂抹在雲瑯的脖子上,恨鐵不成鋼的道︰“知道的以為你在打羊毛的主意,不知道的還以為你在哄騙全受降城的女人。”大香蕉伊在线6   曾經有那麼一段時間,這些人都成了雲瑯的偶像,如果當時不是因為年幼體弱,無法勝任任務的要求,他一定會成為這群人中的一個。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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