Big Thief

Two Hands

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  • 大香蕉伊人有线3网在线大香蕉伊人在现线8伊人综在合线大香蕉3直击|滴滴:七夕打车难仅次春运 将拿2300万补贴司机


    第十一章 最後一個匈奴大香蕉伊人有线3网在线   這些年,張騫,甦武兩次離開了玉門關進入了茫茫戈壁,他們的腳步一次比一次遠,尤其是年輕力壯的甦武,他不僅僅到了身毒,甚至嘗試著與大秦國建立某種聯系。大香蕉伊人在现线8   “我們長得一般高,這樣很不舒服。”   就如同雲瑯很久以前知道的一句話一樣——你之所以過的輕松快活,完全是因為有人替你負重前行。伊人综在合线大香蕉3   只不過曹襄已經不在乎容貌了,他想要女人青睞早就不依靠這東西了,就算長得再難看十倍也不是問題。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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