Big Thief

Two Hands

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      甦稚檢查之後,發現只是皮外傷,就用干淨的麻布包扎一下了事。   “誰規定閨女就不能叫霍二了?難道這個名字比如花,如月,來的難听?”大香蕉伊人75在线播放   雲瑯吞了一口飯道︰“你只需要知道在沙漠里,沒有比駱駝更好的運貨牲口這個道理就行了。”大香蕉伊人在线官方网   畢竟,以匈奴人的武器,只有進行最貼身的戰斗才能對那些身著甲冑的羽林郎造成致命的傷害。   何愁有翻了一個白眼道︰“不堪大用,終究脫離不了紈褲本色。”大香蕉网   何愁有雙臂底下夾著兩壇子酒,輕輕地放在桌子上,看著雲瑯道︰“怪哉,怪哉,你這樣的人能做出這樣的詩歌,實在是出乎老夫預料之外!” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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