Big Thief

Two Hands

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  • 大香蕉伊人8线大香蕉伊人线看大香蕉在伊人线中泰国际:耀才证券金融首六个月盈利2.13亿港元


      霍去病冷冷的道。   沒錯,雲瑯跟霍去病商討之後,他打算給自己制作一副鐵板鎧甲,一具能嚴格保護上身的鐵板鎧甲。大香蕉伊人8线   這樣的人家,張湯看的多了,也親手干掉的多了。大香蕉伊人线看   尸體的手腳都被擰斷了,怪異的向後垂著,被繩子固定在大樹樁子上,一根粗大的木棒插在尸體的胸口上,看起來非常的淒慘。   雲瑯很忙,他忙著謄抄《百工譜》,這東西是李廣家的一部藏書,李敢這人不願意欠別人的,所以,特意跑回家一趟,背來了《百工譜》讓雲瑯看。大香蕉在伊人线   這回閉氣的時間很長,一個喝了半盆水,一個喝了半桶水,走起路來肚子里都是叮鈴 啷的亂響。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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