Big Thief

Two Hands

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  • 大香蕉凹凸分类视频伊人大香蕉久久网2015大香蕉夜夜撸小说伊朗原子能组织负责人:将重启阿拉克重水核反应堆


      狗子縱身越過柵欄,打開那道殘破的門,對霍光道︰“他們知道個屁啊,趕快進來,直接找正主才是真的。”   雲瑯對梁贊很有信心,可是家里人卻不這樣看。大香蕉凹凸分类视频   匈奴人不過年。伊人大香蕉久久网   霍光極具進攻性的語言再一次落進金日的耳中。 第一一九章 少年人的堅持2015大香蕉夜夜撸小说   劉徹點點頭道︰“雲瑯以前跟朕說過一種‘落水狗’理論,朕覺得還有那麼幾分道理。既然要徹底的給大漢打出一個百年安穩,那就要把事情做的徹底一些,愛卿此次從馬邑出兵,那麼……這一路上,就不要留任何活口了。” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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