Big Thief

Two Hands

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  • 猫咪大香蕉伊人线大香蕉视频久v大香蕉伊人在现线6从酒店到咖啡店 网易云音乐瞄准社交频繁跨界图什么

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      阿嬌嘆息一聲道︰“這樣做並不好,劉據的名聲完蛋了,下面的人也人心惶惶,這麼大的國家,被你這麼折騰一下,損失很大。”   李敢得意的脫掉外袍,再一次向眾人炫耀他男人的勛章!猫咪大香蕉伊人线   雲瑯忍不住松了一口氣,瞅著身後已經搭建好的靈棚道︰“那麼說,這是為了驅邪?”大香蕉视频久v 第三十一章 愛子之心大不同   雲哲就來到劉據身邊,坐在地上,平視著劉據道︰“殿下,沒用的,陛下這次不肯饒過任何人。”大香蕉伊人在现线6   劉徹揮揮手,示意雲哲出去,翻了一個身,面靠錦榻里面,氣息悠長的道︰“真是讓朕失望啊……” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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