Big Thief

Two Hands

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  • 红怡院www大香蕉国产伊人久久大香蕉大香蕉伊人在线9微软Win10 Defender更名出现更多变化:安全智能更新

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      雲瑯看看弟子的瘸腿嘆息一聲道︰“你跳樓了?”   阿嬌回頭看了雲朗一眼惡狠狠地道︰“在我跟前硬氣不算本事,有本事在陛下面前硬氣才讓人佩服。”红怡院www大香蕉   狗子哈哈大笑道︰“我家主人常說,子非魚,焉知魚之樂!”国产伊人久久大香蕉   狗子不在乎嘲笑,卻不能不在乎例份,他當繡衣使者的時候雖然也存了一些錢,卻不算多,銀子在土里埋了三年,早就變得烏漆嘛黑的,拿出去用會非常掉價的。   這個族群樸實而狡黠,他們對看不見的利益永遠都沒有多少興趣,他們只在乎看的見,摸得著的利益。大香蕉伊人在线9   有了水車,旱 上的農田產出就會加倍,即便是飼養雞鴨鵝,豬牛羊也要方便得多。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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