Big Thief

Two Hands

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      見阿嬌要比見宋喬更加容易,因為在很多時候,大漢百官已經把阿嬌當做是與皇帝並肩的君,而不是一個女人。   牽著馬來到犬台宮準備伺候劉徹騎馬的金日親眼看到了這一幕,頗有些眼熱。青青草vip破解版免费   看著他們歡天喜地的給自己裝備鎧甲,雲瑯忽然覺得有些對不住他們。青青草vip破解版   平叟拱手道︰“啟稟少君,老夫以為,以全力完成現有的長門宮訂單為上,一刻都不得遷延。只要我雲氏在日夜趕工制作東西就成,至于做好的東西去了哪里,去了誰的手里,大可不必理會。”   虎步龍行的,讓雲瑯看的很是羨慕。青青草99   兩人正說話呢,一個臉上有刀疤的婦人丟下麻將氣沖沖的走了過來,抓住瘦弱的老熊吼道︰“我要的炭窯你到現在都沒有找到是吧?再找不到,我就去找韓氏,錢氏,我就不信了,這時候拿著現錢會找不到我要的東西。” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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