Big Thief

Two Hands

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  • 青青草久草时代久草资源站中文字母免费视频资源在线久草视频|王正华:不怕别人看不起 就怕自己不努力

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      最前列的百夫長吼道︰“將軍破敵,某為前鋒!”   雲瑯攤攤手道︰“如果是那樣,哪里還有什麼匈奴,陛下現在早就是大漢匈奴帝國的皇帝了。”青青草久草时代   長平冷笑道︰“也就是說,別人去南越作戰你沒有意見,派你們騎都尉去南邊作戰就不成是吧?”久草资源站中文字母   “有,而且比所有的熊都要大!”   “你們也要去!”免费视频资源在线久草   甦稚撇撇嘴道︰“那也比你好!藥婆婆不喜歡見外人,尤其是男子,我師姐喜歡讀書,這時候是她雷打不動的讀書時間,所以你也見不到,撒忽爾是大月氏人,听不懂漢話,所以你也不用找他,有事情對我說就成了。” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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