Big Thief

Two Hands

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  • 青青草线观无线91青青草成 人在线免费久草税务总局再取消25项证明事项 涉及税收优惠办理等

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      他親眼看著一個懵懂的劉據是如何被他狂暴的父親一步步的給逼成一個精神分裂者的。   可是啊,昌邑王進長門宮了……這是父皇在為難我,也在為難尚在襁褓中的昌邑王……青青草线观无线9   雲瑯輕笑一聲道︰“皇後跟劉陵已經商量好要販奴了,我們阻攔不了。”1青青草成 人在线免费   梁贊嘆口氣道︰“大師兄可能不這樣想,我接手了谷梁一脈,已經不可能再顧及到西北理工了。”   此時此刻,不論是梁贊還是彭琪,都知曉得到這樣的待遇意味著什麼。久草   雲瑯搖搖頭道︰“還沒有,八月底才會下雪,這時候青草變得金黃,是受降城最美麗的時候。” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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