Big Thief

Two Hands

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  • 青青草99万人在青青草分类青青草139只私募"凉了":无法打新科创板 最狠被限制整整1年


      秦瞬之在小說里性格前後跨度挺大,要完全掌握住人物還真不是一件簡單的事。當然陸昔年只是想想而已,並沒有真的奢望這個角色會落在他頭上,圈子里比他經驗豐富的配音演員實在太多了。   知道內情的高思明笑出聲來,捂住肚子︰“原來你還是Lin的粉絲?”青青草99   “你不許笑!”陸昔年燒紅了臉,作勢要奪回手機,這是他無聊時候的杰作,每次看到自己心情都會很好。万人在青青草   到嘴的美食就這樣插翅而飛,王淼淼撅了撅嘴,都可以掛上油壺了。陸昔年和吳陽看他這樣,不厚道的笑出聲。   陸昔年和林徵羽肩並肩走在人行道上,並不知道網絡上掀起了怎樣的風暴。分类青青草   陸昔年︰...... Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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