Big Thief

Two Hands

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  • 香蕉久草 伊人狠狠大香蕉2017最新版大香蕉伊人在线8MIUI11迎来全量开发版公测 38款机型可升级


      曹襄選了一斗珍珠。香蕉久草 伊人   夏侯靜平靜的面皮抖動了兩下,嘆息一聲道︰“委屈你了。”狠狠大香蕉2017最新版   “如此就好,如此就好。”王溫舒避開雲瑯凌厲的目光,拱手之後就快快的告辭了,轉瞬間,地牢門口就剩下這一對姐夫跟小舅子了。   老虎大王孤獨的在滿是白霜的地面上踱步,在他身後還跟著一頭有他一半大小的老虎。大香蕉伊人在线8   面容什麼的隔著面紗看的不是很清楚,可是穿著厚厚的裘衣,還能讓人對她產生無限遐思的女人,這位李夫人還是第一個。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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