Big Thief

Two Hands

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  • 2015大香蕉夜夜撸小说红怡院www大香蕉国产伊人久久大香蕉不再并表苏宁易购后 估值560亿苏宁金服打算独立上市

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    何干擾。 康多爾先把我的高腳杯斟滿酒,然後給自己斟了一杯;他的動作表示出2015大香蕉夜夜撸小说 展的病例。” 我們說著,已經走上林蔭道,兩旁的樹木枝葉交錯,匯成濃蔭一片,透红怡院www大香蕉 我完全被他這番話壓倒了。這種事情我從來沒有想過。我當時二十五歲。 還從來沒有看見過一個親人死去。所以我沒法想象,好端端的一個人,你剛 才還和他同卓吃飯,談話,喝酒,明天會直挺挺地躺在那里,蒙上裹尸布。 這種想法,我沒法立刻理解。同時我的心窩里像有一枚很細的尖針突然扎了 一下,我于是感到,我的確已經愛上了這個老人。我心里又激動,又窘迫, 好像人家揭了她的短似的。国产伊人久久大香蕉 ——我又一次感到從我內心深處涌出滾滾熱流,同情之心在翻騰激蕩,使入 痛苦地牽腸掛肚,同時又使人情緒無比激動。每次我一想到她的不幸,我心 里的同情心便洶涌澎湃。我的手瑟瑟直抖,渴望溫柔地撫摩一下她的手臂, 向她俯下身去,仿佛等她醒來一認出我,我就要從她唇邊摘去那一絲微笑。 每次我想到她或者看到她,在我心里,同情伶憫之中,總摻和著柔情。此刻, 這種感情催我走近她的身邊。可是別打擾她的睡眠,這睡眠使她擺脫自己, 不復感到她肉體的存在!在病人睡覺的時候,接近他們的心靈深處,恰好這 點是妙不可言的。這時,一切使他們擔驚受怕的思想全都驅散,他們的殘疾 忘得干干淨淨,于是有時候在他們半開半台的唇上落下一絲微笑,就像一只 蝴蝶飛落在一片嬌弱縴細的葉片上,這是一縷陌生的微笑,根本不屬于他們 自己,一醒過來,也就立刻嚇走了。我心里暗想,一切殘疾在身,肢體傷殘, 被命運剝奪了健康軀體的人,至少在睡夢中不知道他們的身體畸形與否,那 溫柔的騙人的酣夢至少在夢鄉里賦予他們美麗勻稱的身體,蒙騙他們,那受 苦受難的病人至少在這四周昏黑的酣夢世界里能夠逃脫和他的肉體緊密相連 的詛咒。然而最最使我動心的是那雙手,這雙手叉在一起放在毯于上,手指 伸開,隱隱約約可以看見皮下的血管,手上的關節脆弱瘦削,尖尖的指甲泛 出淡淡的藍色——一雙縴小嬌嫩的手,血色全無,茬弱無力,它的力氣也許 只夠用來撫摩小動物,什麼鴿子啊,小免啊,可是要抓住什麼,握住什麼, 就嫌力氣不足了。我內心深受震動,暗自思忖︰用這樣在弱無力的一雙手, 又怎麼能抵御真正的苦難?怎麼能贏得什麼東西並且牢牢抓住?我一想到我 自己的一雙手,簡直有些反感。我這雙手結實、沉重、肌肉發達、強壯有力, 只消一勒韁繩,就能馴服最不听話的烈馬。我的目光這時也不由自主地落在 那條毯子上。這條毛茸茸的毯子,沉重地壓在她那兩個瘦骨嶙峋的膝蓋上, 對于這個像小鳥一樣輕巧的姑娘實在過于沉重。就在這塊不透明的外殼下 面,一動不動地擱著她兩條無力的腿,就像死腿一樣,拴在那個鋼鐵的或者 皮制的機簧上面,我不知道這兩條腿是砸爛了,癱瘓了,還是只不過虛弱無 力,我從來沒有勇氣去問一聲。我想起來了,她每走一步,這套殘忍的機器 就像拴在腳鐐上的鐵球似的沉甸甸地懸掛在行動不便的腳關節上,她得不斷 地拖上這套令人惡心的東西,叮叮當當嘰嘎亂響地往前走,這個嬌嫩異常、 弱不禁風的姑娘,恰好是她,大家覺得,她快步迅跑,隨風輕,空中飄浮 遠比慢步走路來得自然! Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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