Big Thief

Two Hands

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  • 2018天天啪大香蕉百度伊人大香蕉75线播放大香蕉伊人在现线国语债市开放"升级版" 境外投资者开户有望试行备案制

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      甦稚回頭又看看自己的果盤,立刻踢騰著雙腿沖著雲瑯哭訴道︰“她們還偷吃了我的枇杷!”   夏侯靜虛弱的點點頭,瞅著梁贊道︰“果真是腸子壞掉了?”2018天天啪大香蕉百度 伊人大香蕉75线播放   雲瑯停下采集桃膠的手,想了一下道︰“基本上沒法子,你老婆的潑婦性子已經不可逆轉了。”   “這是今春的第一茬枇杷是吧?來自蜀中?”大香蕉伊人在现线国语   雲瑯當然是希望大漢這個種族永遠存在的,如果可能他希望這個古老,高貴的種族可以萬年不衰。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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